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“Indian summer is like a woman. Ripe, hotly passionate, but fickle, she comes and goes as she pleases so that one is never sure whether she will come at all, nor for how long she will stay.” So begins Peyton Place by Grace Metalious (1924–1964). In September 1956, it burst onto the American scene as the most controversial novel of the century. Its publication was also an extraordinary story of personal triumph. Metalious, an unpretentious housewife from the wrong side of the tracks, had written an explosive bestseller. From a ramshackle cottage in a small New England mill town, she zoomed to national stardom. She met movie stars, famous writers, and the hangers-on who gravitate to those who achieve sudden wealth. She partied with the glamorous; she traveled; always a generous friend, she entertained lavishly. It was a Cinderella dream. But it did not last. Metalious refused to be confined by the fifties' notions of a woman's place. In her struggle to find herself, she lifted the lid off sex and violence, power and powerlessness, truth and hypocrisy, and became known as the Pandora in Blue Jeans. “If I'm a lousy writer,” she said, “then an awful lot of people have got lousy taste.” Reporters could not resist the story: A wife and mother of three had written this sensational exposé. Her own affairs, her personal excesses, her outspokenness, continually shocked and fascinated America. Emily Toth has given us a complete and sympathetic portrait of Metalious: the idealistic young scribbler, the partier, the sometimes-reluctant wife and mother. Tracing the television shows, the films, the Peyton Place sequels and later novels, Toth shows Metalious plagued by periods of self-doubt and loneliness, striving desperately and feeling pressured to create another “hit.” Grace Metalious's life is the material modern novels are made of. Inside “Peyton Place” is the story of a woman out of step with her times, a poignant tale of a strong yet vulnerable individual who dreamed of having everything―and then unfortunately found it.
Although published over 30 years ago, "Inside Peyton Place" is definitely the go-to book on all things Grace Metalious. I got interested in Metalious after reading "Peyton Place" recently. The 1999 edition has an introduction by Professor Ardis Cameron who makes the point that "Peyton Place" has become "a mere code word for sexual scandal, rather than a map to chart what it hides." She argues, as does Emily Toth, the author of this biography, that Metalious was ahead of her time, shining light on the evils of small town America in the 1950s: poverty; sexual repression and violence; alcoholism; male dominance and class hierarchies. "Peyton Place" was derided as a potboiler, but Metalious tackled serious themes from an unconscious feminist perspective, according to Toth.This biography provided fascinating details about Metalious's life and many troubles, including her fractured family, two dysfunctional marriages and her alcoholism. I had no idea that Metalious lived in terrible poverty most of her life and only had a high school education. Toth says she literally "willed" herself out of poverty by writing "Peyton Place." Toth includes many quotes from interviews Metalious did for magazines and TV shows. She dug up lots of information from public and private records and interviewed all sorts of people who knew Metalious: her children, ex-husbands, friends, editors, teachers, attorneys and more. She discusses how "Peyton Place" and her other books were received by critics and the public and how some towns and libraries tried to ban "PP," only making the book more popular. The book's success destroyed Metalious, leading to her rapid physical and mental decline and early death at age 39. It's a painful, tragic story. I felt great empathy for this vibrant, daring young woman who succumbed to her demons and left us way too soon.